癡心女子負心郎[電影解說] 電影解說

片名:《癡心女子負心郎[電影解說]》

類型:短劇

上映時間:1948

上映地區:美國

導演:劉易斯·艾倫

主演:雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德

集數: 更新至0集

語言:

【優凱云影院】分享癡心女子負心郎[電影解說]全集完整版在線觀看免費高清藍光播放地址，癡心女子負心郎[電影解說]講述了一個充滿新奇和創意的故事，由知名導演劉易斯·艾倫傾情執導拍攝，獨特的視角和鏡頭語言，將癡心女子負心郎[電影解說]的劇情展現得淋漓盡致，讓觀眾仿佛身臨其境。癡心女子負心郎[電影解說]是1948上映的好看短劇，在美國地區拿到8.0的評分，是一部優秀的短劇作品。

《癡心女子負心郎[電影解說]》觀后點評：癡心女子負心郎[電影解說]的每個角色塑造都很有深度，演員包括雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德，無論是主角還是配角都發揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的短劇。

《癡心女子負心郎[電影解說]》抖音網友點評：癡心女子負心郎[電影解說]的故事構思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛。癡心女子負心郎[電影解說]的臺詞精彩幽默，讓觀眾捧腹大笑；癡心女子負心郎[電影解說]的音樂和配樂也是恰到好處，給癡心女子負心郎[電影解說]的劇情發展烘托了更好的氛圍，是一部值得一看的短劇。

癡心女子負心郎[電影解說]講述了：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.