沒有和解 已完結

片名:《沒有和解》

類型:劇情片

上映時間:1965

上映地區:其它

導演:讓-馬里·斯特勞布,達尼埃爾·于伊耶

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,

集數: 更新至0集

語言:其它

【優凱云影院】分享沒有和解全集完整版在線觀看免費高清藍光播放地址，沒有和解講述了一個充滿新奇和創意的故事，由知名導演讓-馬里·斯特勞布,達尼埃爾·于伊耶傾情執導拍攝，獨特的視角和鏡頭語言，將沒有和解的劇情展現得淋漓盡致，讓觀眾仿佛身臨其境。沒有和解是1965上映的好看其它電影，在其它地區拿到7.0的評分，是一部優秀的劇情片作品。

《沒有和解》觀后點評：沒有和解的每個角色塑造都很有深度，演員包括Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,達尼埃爾·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,，無論是主角還是配角都發揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的電影。

《沒有和解》抖音網友點評：沒有和解的故事構思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛。沒有和解的臺詞精彩幽默，讓觀眾捧腹大笑；沒有和解的音樂和配樂也是恰到好處，給沒有和解的劇情發展烘托了更好的氛圍，是一部值得一看的其它電影。

沒有和解講述了：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.