總路線 已完結

片名:《總路線》

類型:劇情片

上映時間:1929

上映地區(qū):其它

導演:謝爾蓋·愛森斯坦,格里高利·亞歷山德羅夫

主演:Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev

集數(shù): 更新至0集

語言:其它

【優(yōu)凱云影院】分享總路線全集完整版在線觀看免費高清藍光播放地址，總路線講述了一個充滿新奇和創(chuàng)意的故事，由知名導演謝爾蓋·愛森斯坦,格里高利·亞歷山德羅夫傾情執(zhí)導拍攝，獨特的視角和鏡頭語言，將總路線的劇情展現(xiàn)得淋漓盡致，讓觀眾仿佛身臨其境。總路線是1929上映的好看其它電影，在其它地區(qū)拿到9.0的評分，是一部優(yōu)秀的劇情片作品。

《總路線》觀后點評：總路線的每個角色塑造都很有深度，演員包括Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，無論是主角還是配角都發(fā)揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的電影。

《總路線》抖音網(wǎng)友點評：總路線的故事構思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛。總路線的臺詞精彩幽默，讓觀眾捧腹大笑；總路線的音樂和配樂也是恰到好處，給總路線的劇情發(fā)展烘托了更好的氛圍，是一部值得一看的其它電影。

總路線講述了：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.