心中的故鄉(xiāng) 已完結(jié)

片名:《心中的故鄉(xiāng)》

類型:劇情片

上映時(shí)間:1949

上映地區(qū):韓國(guó)

導(dǎo)演:尹龍奎

主演:Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min

集數(shù): 更新至0集

語(yǔ)言:韓語(yǔ)

【優(yōu)凱云影院】分享心中的故鄉(xiāng)全集完整版在線觀看免費(fèi)高清藍(lán)光播放地址，心中的故鄉(xiāng)講述了一個(gè)充滿新奇和創(chuàng)意的故事，由知名導(dǎo)演尹龍奎傾情執(zhí)導(dǎo)拍攝，獨(dú)特的視角和鏡頭語(yǔ)言，將心中的故鄉(xiāng)的劇情展現(xiàn)得淋漓盡致，讓觀眾仿佛身臨其境。心中的故鄉(xiāng)是1949上映的好看韓語(yǔ)電影，在韓國(guó)地區(qū)拿到7.0的評(píng)分，是一部?jī)?yōu)秀的劇情片作品。

《心中的故鄉(xiāng)》觀后點(diǎn)評(píng)：心中的故鄉(xiāng)的每個(gè)角色塑造都很有深度，演員包括Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min，無(wú)論是主角還是配角都發(fā)揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的電影。

《心中的故鄉(xiāng)》抖音網(wǎng)友點(diǎn)評(píng)：心中的故鄉(xiāng)的故事構(gòu)思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛(ài)。心中的故鄉(xiāng)的臺(tái)詞精彩幽默，讓觀眾捧腹大笑；心中的故鄉(xiāng)的音樂(lè)和配樂(lè)也是恰到好處，給心中的故鄉(xiāng)的劇情發(fā)展烘托了更好的氛圍，是一部值得一看的韓語(yǔ)電影。

心中的故鄉(xiāng)講述了：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.