死神假期 已完結

片名:《死神假期》

類型:愛情片

上映時間:1934

上映地區:美國

導演:米切爾·萊森

主演:弗雷德里克·馬奇,伊夫琳·維納布爾,蓋伊·斯坦丁,凱瑟琳·亞歷山大,吉爾·帕特里克,凱瑟琳·霍華德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奧爾森,赫克托·薩爾諾,菲利普斯·斯莫利,Helen Westley,Anna De Linsky,Otto Hoffman,Frank Yaconelli

集數: 更新至0集

語言:英語

【優凱云影院】分享死神假期全集完整版在線觀看免費高清藍光播放地址，死神假期講述了一個充滿新奇和創意的故事，由知名導演米切爾·萊森傾情執導拍攝，獨特的視角和鏡頭語言，將死神假期的劇情展現得淋漓盡致，讓觀眾仿佛身臨其境。死神假期是1934上映的好看英語電影，在美國地區拿到10.0的評分，是一部優秀的愛情片作品。

《死神假期》觀后點評：死神假期的每個角色塑造都很有深度，演員包括弗雷德里克·馬奇,伊夫琳·維納布爾,蓋伊·斯坦丁,凱瑟琳·亞歷山大,吉爾·帕特里克,凱瑟琳·霍華德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奧爾森,赫克托·薩爾諾,菲利普斯·斯莫利,Helen Westley,Anna De Linsky,Otto Hoffman,Frank Yaconelli，無論是主角還是配角都發揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的電影。

《死神假期》抖音網友點評：死神假期的故事構思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛。死神假期的臺詞精彩幽默，讓觀眾捧腹大笑；死神假期的音樂和配樂也是恰到好處，給死神假期的劇情發展烘托了更好的氛圍，是一部值得一看的英語電影。

死神假期講述了：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)