等待方舟 HD中字

片名:《等待方舟》

類(lèi)型:科幻片

上映時(shí)間:1985

上映地區(qū):其它

導(dǎo)演:皮奧特爾·舒爾金

主演:耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

集數(shù): 更新至0集

語(yǔ)言:其它

【優(yōu)凱云影院】分享等待方舟全集完整版在線觀看免費(fèi)高清藍(lán)光播放地址，等待方舟講述了一個(gè)充滿新奇和創(chuàng)意的故事，由知名導(dǎo)演皮奧特爾·舒爾金傾情執(zhí)導(dǎo)拍攝，獨(dú)特的視角和鏡頭語(yǔ)言，將等待方舟的劇情展現(xiàn)得淋漓盡致，讓觀眾仿佛身臨其境。等待方舟是1985上映的好看其它電影，在其它地區(qū)拿到7.0的評(píng)分，是一部?jī)?yōu)秀的科幻片作品。

《等待方舟》觀后點(diǎn)評(píng)：等待方舟的每個(gè)角色塑造都很有深度，演員包括耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾，無(wú)論是主角還是配角都發(fā)揮了精湛的演技，栩栩如生讓觀眾仿佛身臨其境，是一部代入感很好的電影。

《等待方舟》抖音網(wǎng)友點(diǎn)評(píng)：等待方舟的故事構(gòu)思巧妙，劇情跌宕起伏，吸引了觀眾的喜愛(ài)。等待方舟的臺(tái)詞精彩幽默，讓觀眾捧腹大笑；等待方舟的音樂(lè)和配樂(lè)也是恰到好處，給等待方舟的劇情發(fā)展烘托了更好的氛圍，是一部值得一看的其它電影。

等待方舟講述了：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.